Mod-01 Lec-30 Auteur Theory in the USA

Course Lectures

• Mod-01 Lec-01 Course Overview

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• Mod-01 Lec-02 Cinema & Semiotics

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• Mod-01 Lec-03 Cinema & Semiotics(contd)

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• Mod-01 Lec-04 Plot in Cinema

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• Mod-01 Lec-05 Plot in Cinema (contd...)

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• Mod-01 Lec-06 Character as a plot element

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• Mod-01 Lec-07 Editing in Cinema

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• Mod-01 Lec-08 Realism in Cinema

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• Mod-01 Lec-09 Colour : Theory & Practice

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• Mod-01 Lec-10 Intertextuality

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• Mod-01 Lec-11 Intertextuality (contd.)

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• Mod-01 Lec-12 Intertextuality (contd...)

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• Mod-01 Lec-13 Cinema & Modernism

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• Mod-01 Lec-14 Cinema and Modernism (contd...)

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• Mod-01 Lec-15 The French Masters

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• Mod-01 Lec-16 The French Masters (contd..)

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• Mod-01 Lec-17 The French Masters (contd...)

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• Mod-01 Lec-18 Canonical Text

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• Mod-01 Lec-19 Canonical Text(contd..)

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• Mod-01 Lec-20 Canonical Text(contd...)

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• Mod-01 Lec-21 The Academy Awards

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• Mod-01 Lec-22 Classic Hollywood

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• Mod-01 Lec-23 Classic Hollywood(contd.)

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• Mod-01 Lec-24 Classic Hollywood (contd...)

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• Mod-01 Lec-25 Case study

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• Mod-01 Lec-26 Stars as Icons

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• Mod-01 Lec-27 Cinema and the Counterculture Movement

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• Mod-01 Lec-28 Italian cinema

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• Mod-01 Lec-29 Japanese Cinema

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• Mod-01 Lec-30 Auteur Theory in the USA

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• Mod-01 Lec-31 Auteur Theory in the USA (contd...)

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• Mod-01 Lec-32 New Hollywood

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• Mod-01 Lec-33 New Hollywood (contd...)

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• Mod-01 Lec-34 New Hollywood (contd....)

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• Mod-01 Lec-35 New Hollywood (contd....)

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• Mod-01 Lec-36 Cinema and Genres

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• Mod-01 Lec-37 Cinema and Genres (contd...)

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• Mod-01 Lec-38 Postmodernism and Cinema

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• Mod-01 Lec-39 Postmodernism & Cinema (contd...)

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• Mod-01 Lec-40 The Western

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